|
|
|
| Tuesday, 8/27 | Introduction,
Historical Background, Setting the Stage
Is/Was there a "Germanwood"?: A Brief Overview of German Cinema |
| THE WEIMAR CINEMA: GERMAN EXPRESSIONIST FILM | |
| Wednesday,
8/28
Thursday, 8/29 |
German
Expressionist Film 1: The Beginnings of
Expressionist Film
Screening: "The Cabinet of Dr. Caligari" by Robert Wiene, Germany, 1919, 52 minutes. Sequence Analysis & Discussion of “The Cabinet of Dr. Caligari” READ:Kracauer, 3-11 & 61-76 & Eisner, 7-27 |
| Tuesday,
9/3
Wednesday, 9/4 Thursday, 9/5 |
German
Expressionist Film 1: Symphonies of Horror
Screening: "Nosferatu" by F. W. Murnau, Germany, 1922, 81 min. READ: Kracauer, 77-87 & Eisner, 95-106 Sequence Analysis & Discussion of “Nosferatu” |
| Tuesday,
9/10
Wednesday, 9/11
|
German
Expressionist Film 3: Utopia or Premonition:
manipulation
and totalitarian authority
Group presentation 1: Culture, Society and Politics in the Weimar Republic Screening: "Metropolis" by Fritz Lang, Germany, 1926, 90 min. READ: Kracauer, 149-150 & 162-164, Eisner, 223-236 Sequence Analysis & Discussion of “Metropolis” |
| Essay 1 is due on September 17: Choose one of the films The Cabinet of Dr. Caligari, Nosferatu, or Metropolis, and write an essay analyzing one aspect of this film. | |
| CINEMA AND THE THIRD REICH | |
| Tuesday,
9/17
Wednesday, 9/18 Thursday, 9/19 |
Film
as a Tool for Propaganda 1: Mass
Manipulation
Screening: "Triumph of the Will" by Leni Riefenstahl, Germany, 1935, 110 min. Sequence Analysis & Discussion of “Triumph of the Will” READ: Kracauer, 275-280 & 298-303, Eisner 335-337 |
| Tuesday,
9/24
Wednesday, 9/25
|
Film
as a Tool for Propaganda 2: Anti-Semitism
Group presentation 2: Anti-Semitism Screening: "Jud Suess" by Veit Harlan, Germany, 1940, 100 min. Sequence Analysis & Discussion of “Jud Suess” READ: Welch, 278-292 (Course Packet) |
| Essay 2 is due on October 1: Compare Triumph of the Will with Jud Suess, and discuss how the Nazis used film as a propaganda tool. | |
| TRÜMMERFILME (rubble films) | |
| Tuesday,
10/1
Wednesday, 10/2 Thursday, 10/3 |
Inheritance,
Zero Hour and New Beginning (1945-49)
Screening: "Murderers Are Among Us" by Wolfgang Staudte, Germany, 1946, 84 min. Sequence Analysis & Discussion of “Murderers Are Among Us” READ: Ott, 240-242 (Course Packet) |
| THE NEW GERMAN CINEMA: AN ETERNAL COPING WITH THE PAST | |
| Tuesday,
10/8
Wednesday, 10/9
|
Reconstruction,
Decline of Human Values and Economic Miracle
Group presentation 3: Occupation and Division: Germany 1945-1949 Screening: "The Marriage of Maria Braun" by Rainer W. Fassbinder, Germany, 1979, 120 min. Sequence Analysis & Discussion of “The Marriage of Maria Braun” READ: Kaes, 73-103 |
| Tuesday, 10/15 | Fall Break - No Class |
| Wednesday,
10/16
Thursday, 10/17 |
The
Fatherland, the Land of the Pale Mothers
Screening: "Germany, Pale Mother" by Helma Sanders-Brahms, Germany, 1979, 123 min. Sequence Analysis & Discussion of “Germany, Pale Mother” READ: Kaes, 137-160 |
| Tuesday,
10/22
Wednesday, 10/23
|
German
Towns During the Nazi Time: The Sonya Wegmuss Story
Group presentation 4: Resistance to Hitler Screening:"The Nasty Girl" by Michael Verhoeven, Germany 1989, 94 min. Sequence Analysis & Discussion of “The Nasty Girl” READ: Atkinson & Hobbs (Course Packet # 2) |
| Essay 3 is due on October 29: Show how two of the films Murderers Are Among Us, The Marriage of Maria Braun, Germany, Pale Mother, or The Nasty Girl try to deal with the recent German past. | |
| GERMAN FILM COMEDIES - "AN OXYMORON NO MORE" | |
| Tuesday,
10/29
Wednesday, 10/30
|
"Searching
for Stories in a Gray Germany": A Yuppie Marital Comedy, Gender
Roles and Sexuality
In-class screening: "Makin’ Up" by Katia von Garnier, Germany 1993, 55 min. Screening: "Men" by Doris Dörrie, Germany, 1985, 96 min. Sequence Analysis & Discussion of “Makin’ Up” and “Men” READ: Phillips, 173-182 Caprio, 374-387 (Course Packet) |
| Tuesday,
11/4
Wednesday, 11/5
|
Cheating
& Everyday Relationships: The Zeitgeist of the New
German Comedies?
In-class screening: "Talk of the Town" by rainer kaufmann, Germany 1995, 90 min. Screening: "Maybe … Maybe Not" by Sonke Wortmann, Germany, 1996, 93 minutes. Sequence Analysis & Discussion of “Maybe … Maybe Not” READ: Beck, Busack (Course Packet) |
| Essay 4 is due on November 11: Discuss the different gender relations depicted in the films Men, Makin' Up and Maybe ... Maybe Not. | |
| THE BERLIN WALL AS A MOVIE | |
| Tuesday,
11/11
Wednesday, 11/12
|
History
of the Berlin Wall as a Film
Group presentation 5: German History 1961-1989: The Making and Breaking of the Wall Screening: "The Promise" by Margarethe von Trotta, Germany, 1995, 115 min. Sequence Analysis & Discussion of “The Promise” READ: Adamek, Kinzer, Shulgasser & Walsh (Course Packet) |
| RECENT FILMS BY YOUNG GERMAN DIRECTORS | |
| Tuesday,
11/18
Wednesday, 11/19 Thursday, 11/20 |
Deaf
Culture in Germany
Screening: "Beyond Silence" by Caroline Link, Germany, 1997, 107 min. Sequence Analysis & Discussion of “Beyond Silence” READ: Chase, Movieweb & Stein (Course Packet) |
| Tuesday, 11/25 | Group presentations 6 & 7 |
| 11/26-12/1 | Thanksgiving Recess |
| Tuesday,
12/3
Wednesday, 12/4
|
A
German "Groundhog Day" or "What if ..."
In-class screening: "Run Lola Run" by Tom Tykwer, Germany, 1998, 81 min. READ: Adams, Goldberg, Howe, Wunder (Course Packet) Group presentations 8 & 9 Group presentations 10 Review, Evaluations and Reflection |